Quick review for a progressive read. Katie Cotugno’s “Fireworks” was a struggle for me to read in places, but in the end, I’m glad I read it, especially considering the turns it took in the story. The ending was bittersweet and not quite the impression and direction I thought it would go given the beginnings of the story. Yet even saying that, I’ll admit I struggled to hold interest in the novel for a while.
I’ve been fortunate that the last several books that I’ve read in a stretch this year have been among my all-time favorites, and Angie Thomas’s “The Hate U Give” is no exception to that. Any review that I write really won’t convey the depth of how much I loved and appreciated this book, but nonetheless I’m going to do my best to try and hope that it inspires others to read this undeniably necessary and engrossing book.
Initial reaction: Long review coming probably sometime tomorrow when I can meditate on my end thoughts on the novel, which are complex and conflicted. This…may not be a book for everyone to read.
This book had me emotionally shaken and vexed on so many levels, that I don’t even know where to begin. *sighs* I will say – to the narrative’s credit – that it’s well written, emotionally raw, and Mary’s experiences come across as very true to life experiences for incarcerated minority youth for much of the book (not all of it, but a good portion). Tiffany Jackson gets the emotional intimacy and connection of characterizations for this book spot on. The tension in this book is so palpable that I found myself caught between putting the book down and picking it back up eager to read what happens in Mary’s overarching case. It’s a dark read and thought provoking in many places. At first I thought that this narrative would be something akin to reading the narrative “Push” by Sapphire, because the tone of the narrative felt like that to start (and interestingly enough, the narrative mentions Mary reading it at one point.) The aforementioned book was a rough read for me on its own but I appreciated it because of the real horrors and story told in that vein. This book doesn’t go in that direction, but the emotional/physical abuse and fear that Mary endures in places is rage inducing and makes you feel for the character.
If you’re sensing a lingering “but” to those notations, you would be hitting the needlepoint spot on. I sincerely want to pretend that ending (and certain events close to the ending) doesn’t exist. While I don’t mind having the rug pulled out from under me in an apt mystery/thriller, this didn’t feel like that kind of story for much of the narrative. At the very least, one would think at this ending “Wait…there’s an emotional mismatch here – that really didn’t fit the rest of the tone of the story. Even if there were multiple unreliable characters here (and there are: fair warning without delving into too many spoilers), it doesn’t make sense to go that direction because the story already had a compelling story in one tone. It reveals a pretty gruesome but notable reality for an underrepresented population.”
At worst? This book does need a TW on several counts: several notations of homophobia (though one could argue that its influenced by the prejudices of the observed characters), body/sexual shaming (see previous notation), rape/complicit accessory rape/statutory rape (oh, I have a soapbox coming on this very subject matter on so. many. levels.), animal cruelty and dismemberment (I had to stop reading for a bit after that scene because I wasn’t expecting it), among other things.
So, yeah, complex emotions. 😦
My initial rating upon finishing this book was 4 stars, and looks like I’m going to take it down to 3.5 because…MASSIVE caveats. There are brilliant moments in the narrative that really tugged at my heartstrings. I think the essence of Mary’s story is true to the brutality that many young people of color experience in incarceration, juvenile pregnancy, power and abuse in the correctional system, power and abuse in personal relationships, gaslighting, among other things. It’s true to life on some things, but ultimately not in others, and particularly with the progression up through the ending, this is a mature YA (I question it being YA, but I think teens could still read this and get something out of it) dark horror/thriller.
Quick review for a quick read. Leave it to Nina LaCour to tug at my heartstrings every single time I pick up a book from her. For what it’s worth, I did enjoy “We Are Okay” though it wasn’t as strong for me as some of the author’s other narratives (a.k.a “Hold Still”). It’s the story of a young woman named Marin who escapes her life after a series of tragedies and has to come to terms with them as her best friend reunites with her over Winter Break while she’s in college.
Quick review for a quick read. I was first introduced to “Summerlost” through a snippet offered on NetGalley, but I later checked out a full version of the book from my local library. This definitely satisfied my longing for a quick read in the form of a fulfilling MG/teen summer story. It’s Ally Condie’s middle-grade debut about a girl named Cedar who’s coping with her first summer after her father’s and brother’s tragic accident. She returns to the town of Iron Creek for the summer, meeting a boy named Leo and volunteering her time at a theater festival called Summerlost. It is also a chance for her to join Leo in a side job directing tours surrounding the 20th anniversary of the death of a Hollywood actress whose life was cut short due to tragic circumstances as well.